All lectures are fully illustrated with audio and visual materials and can readily be tailored to suit specific requirements if desired.
TANTRUMS & TIARAS
Nigel takes a look at the life backstage at London's Royal Opera House Covent Garden and the tribulations and triumphs of working with the Royal Opera and the Royal Ballet companies. Simply putting on the performances is not enough - there has to be encouragement for the audience to spend quite large amounts of money to attend a performance. We look at the way artistic inspirations, the people involved and the unique building all function together to create world-class opera and ballet in a unique environment.
IT'S NOT JUST TCHAIKOVSKY
Primarily an exploration of the music chosen by ballet choreographers through the years, proving that the right piece with the right moves and the right designs can create modern masterpieces and timeless classics. We transition through the grandness of Imperial Russia with Swan Lake and Sleeping Beauty into the current modern repertoire of the Royal Ballet.
THEY MAKE NO NOISE
What is it that conductors do that makes orchestras respond in so many different ways? Is it a good baton technique? A strong personality? The way they look? And why are there so few women found on the podium? Drawing on history and his own experiences from over 6000 performances and recordings, Nigel seeks out some answers. This lecture contains some very rare video footage of conductors in rehearsal and performance.
PERCUSSION USE & ABUSE
IN THE KINGDOM OF THE SWEETS
From calling ancient armies to battle to signalling the audience to stand for the National Anthem, drums and percussion have been a part of history well over and above their musical contributions. Often the icing on the cake and alas sometimes the bottom of the dustbin, Nigel explores how the design, sound and awareness of percussion instruments and the demands of modern composers have developed almost out of all recognition in the last hundred years. This lecture contains rare video footage from the orchestra pit at the Royal Opera House.
The Nutcracker has delighted audiences at Christmas for many decades yet it was deemed a failure at its first performances. We take a close look at how this well-loved ballet now takes its rightful place on stage and how the music of Tchaikovsky along with story-telling, design and dance all come together to make the most magical escape for young and old alike.